Festival schedule
Browse screenings by date and cinema, open venue maps, and add conflict-checked choices to My Schedule.
Film guide
Browse film details, screening times, and genre labels using Letterboxd’s genre vocabulary. All titles will be presented with English subtitles.
All films
Browse every title in the lineup, or pick a category to read what it is about. Use Filters & tools above to narrow the list further.
A man takes his sick mother and nine family members on a single-day temple pilgrimage after his boss predicts she may die soon.
Ella, a young mambabarang from the slums of Metro Manila, must harness her true powers to find her missing best friend and battle both the supernatural and societal injustice. Who are the real monsters?
In industrial Yangon, young factory worker San Kyi dreams of returning to her native village. Her relationship with co-worker Theint Theint Oo evolves from closeness to growing distance, revealing tensions between their expectations and life prospects. Amid exhausting labour, social repression, and economic uncertainty, both women seek escape and intimacy.
Subjected to harsh treatment by her husband Jiro’s family, Fujiko is devastated when Mari is kidnapped by Jiro’s relatives. With the help of her own mother, Chiyo, Fujiko regains her child. Against the advice and judgment of those around her, she chooses to raise Mari as a single mother.
Ninh lives with his mother and misses his ex-wife Ngoc and their young children. In his work as a mechanic who installs decibel meters in public spaces and homes, Ninh observes the silence that haunts relationships. Wishing for his parents, who live apart and do not speak to each other, to reconcile, his fear of losing connection to his loved ones forces Ninh to face life’s unpredictable rhythms.
While an invisible smoke engulfs western Thailand, a displaced couple from the Karen ethnic minority dream of returning home.
When an unplanned baby enters the lives of a conservative mother, neurodivergent daughter and detached gay son, the trio travels back in time through their diaries and family photos to mend ruptured bonds and prepare for a new cycle of motherhood.
A young herbolario must wear his absent mother's clothes and his sister's resolve, to join a revolution his father does not believe in.
Buffering through a new country on odd jobs and a phone that speaks for her. An undocumented immigrant is now ready to pair.
An elderly Malaysian-Tamil couple discovers their male goat, set for ceremonial slaughter, is pregnant. Torn between faith and the expectations of their community, they struggle to decide whether to slaughter it or face the wrath of the gods.
At a closing restaurant, a laid-off dishwasher is forced into a paid romance for her survival—until love demands more than a transaction.
In a time and place where abortion is illegal, a husband rejoices at the news of pregnancy while his wife secretly attempts to terminate it. After failed attempts through jumping, running, and medication, she encounters a strange bus and its peculiar driver.
Amor, a 67-year-old beautician, struggles to keep her fading parlor afloat while caring for her grandson. When a senior beauty pageant comes along, she sees a chance to feel seen once again.
Two videographers revisit their memories and captured images of the land, confronting the gap between an imagined utopian Papua and the reality of its landscapes under Javanese and military domination.
Three men orbit a mysterious helicopter crash that occurred years ago high in the mountains. As two men make their way up the slopes, an achar (shaman) deep within the forest recounts ancient rain rituals.
An architect comes to survey a derelict mountain mansion, then finds herself haunted by the presence of two strangers in the house.
Confronted with a missing Mama Mary statue within their community, two sisters unravel the mysteries of identity and morality that could only be solved, not by a prayer, but by a kiss.
Three gallery workers steal a Mooi Indië painting, part of a colonial tradition that portrayed Indonesia as an idyllic tropical paradise, and set off in search of the landscape it promises. As their journey slips out of time, they encounter the ghosts and illusions of a colonial dream.
Featuring sensual titles from the Philippines, Singapore, Vietnam, France, and Indonesia, this program of shorts venture into the double lives humans live after dark. Moving between magic realism, horror, fantasy, and national allegory, together they examine the traps of transactional relationships and the ways they eventually lead to self-implosion. The lineup includes AND IF THUY DIDN'T EXIST (dir. Carlo Francisco Manatad), BODY WORKS (dir. Maki Makilan), IS THIS DESIRE? (dir. Apa Agbayani), SHE SAID (dir. Ivan Tan), and THROUGH THE CRACKS (dir. Lê Hoàng)
Featuring the most irreverent Southeast Asian shorts in this year's slate, this program from Malaysia, Philippines, Thailand, Vietnam, and Singapore follows humans reckoning with faith and desires after their bizarre interactions with animals and beasts. The lineup includes BLEAT! (dir. Ananth Subramaniam), FRUIT (dir. Jen Nee Lim), RUN SHIRLEY RUN! (dir. Rodiell Veloso), THE BOVINE COMEDY (dir. Ratchapoom Boonbunchachoke), and THE DREAM IS A SNAIL (dir. Thiên Ân Nguyên)
Featuring women of all ages from the Philippines and Singapore, this program of shorts peel back the unlived lives of four mothers through the eyes of the children around them. Filled with unparalleled tenderness, this program promises great laughs and many tears. Includes THE 4PLY CLANDESTINE SYSTEM (dir. Natalie Sin), GANDANG LOLA (dir. Kylechandler Bigay), MAANAA KANIMO (dir. Toni Cañete), and SANA'Y NANDITO KA (dir. Clister Santos)
Featuring deeply political and more experimental films from the Philippines, Indonesia, and Cambodia, this program of Southeast Asian titles use filmmaking to cut through our assumptions of the mountain—revealing in its wake the truths, histories, and scars that nature has concealed through time. Includes A GHOST CAN ONLY HOWL (dir. Carla Pulido Ocampo), GOLDEN ISLAND (dir. Arief Budiman), INCIDENT ON THE MOUNTAIN (dir. Savunthara Seng), OBSCURA (dir. Timoteus Anggawan Kusno), and THEY MADE MONSTERS (dir. Jaime Morados).
A suicidal manananggal splits in two. Her top half wants to die, but her bottom half wants to live. Chaos erupts in an ukay-ukay depot when two bumbling aswang hunters and a couple of horny teenagers get in the way of their deadly reunion.
On election day, a young man spends an afternoon with the mother who left him six years ago.
When her partner proposes, Ling answers with a story from a past life as a scam caller. As the tale of an unspeakable debt unfolds, what begins as a strange confession starts to reveal something unsettling about their relationship.
A tissue peddler cartel leader becomes an object of spectacle when an amateur documentary filmmaker duo set their eyes on her.
In a future where cows have nearly vanished, Phop, a rich farmer, owns Southeast Asia's last bull. As it ages and struggles to produce semen, Phop relies on the unique manual technique of Jon, a poor worker. Phop finds himself drawn to Jon's hands.
A struggling young artist takes an odd job as a human racetrack in a rejuvenation workshop and becomes obsessed with snails gliding across his skin.
In the depths of an isolated forest, Joaquin and his father, Ferds, hunt monsters for a living, but their latest catch forces them to confront unsettling truths, distorting their bond and warping their grip on reality.
As his wedding approaches, a young man begins hearing a mysterious rattling inside his head, forcing him to confront something within himself that refuses to stay silent.
1617, Las Islas Filipinas. The Spanish friar, Father Enciso, the encomendero of one of the islands, rules with unrelenting toughness and an insatiable libido to tame the savages.
Despite their different aspirations, backgrounds, and origins, Ilyasse and Pauline, scientists in their early twenties, share one common dream: escaping to the moon to address Earth’s problems. Each of them dedicates all their resources and efforts to achieve this goal. But what if space was political, and what if dreaming was too?
When an ongoing apocalypse halts the production of Gabby’s new film, she escapes to see her artist friend Tona in La Union, a former booming beach town and strategic site for a US military base. Double billed with YOU ARE THE FILM.
DOUBLE BILL: In A IS FOR AGUSTIN, an Indigenous man in his forties enters grade school to learn to read after years of workplace exploitation. Meanwhile, AGOS, ANG BATANG ISLA premieres its debut episode following Agos, a curious, sun-kissed girl always full of grand ideas on a Philippine island. This opening installment features narration by Kuya Kim Atienza. Crafted by all-Filipino creatives, the series unites theater performers and animators through motion-capture technology, and young voice actors. It stands as a love letter to Filipino children which is grounded in family values, safety, and the art of play in an algorithm-driven world. Made possible thanks to the partnership with the Second Congressional Commission on Education (EDCOM) and Amber Studios MNL
When their abusive father is murdered by a neighbour, two brothers must grapple with loss and liberty while navigating their friendship with the killer’s son. A deeply felt debut about the complexities of crime and inherited guilt.
On an island where people are controlled as avatars by a mysterious driving-app voice, two estranged sisters join a detective and a rebel motorcyclist to uncover whether the voice belongs to their dead mother.
After being transformed into a vampire, a Parisian singer pursues stardom at the cost of her soul.
In 1970s Manila, a jaded police detective, who, unbeknownst to her colleagues, is the mastermind behind a successful heist, is paired up with her former lover, an obsessively truth-seeking detective, to crack the very crime that she orchestrated.
Three land rights activists contend with their volatile notions of home amid terror and red-tagging in Cagayan Valley.
Featuring ANG KAHIMYAANG MATUOD (dir. Adrian Lo), BANDAGE POETRY (dir. Ian Alfaras), DANGPANAN (dir. Stephen Kelly Mahusay), HINANGI AKO HONG LUTHANG (dir. Andrew Philip Radaza Sur), HINDI NAWAWALA SA PAGKAWALA ANG MGA ALAALA (dir. Emmanuel Pamaylaon), and PASTIL (dir. Franky Arrocena)
Featuring ANG NOBLE SAVAGE NAGPAHUNGAW SA IYANG EMOTIONAL BAGGAGE (Mico Lorenzo Minerva), ANG PAGLIPAD NG SARANGGOLA SA APLAYA (dir. Danielle Cusi), HOLISH*T (Kez Fuentes and Marion Ybanez), MAG UNSA NA LANG TA ANI (dir. Keith Nemenzo), SCHHWWWRRPPPP (dir. Doxford Perlas), UNDER THE TABLE (dir. Branden Josh Domingo and Gian Carlo Ducusin)
My schedule
New additions are blocked when they overlap an existing choice.
Commute & accessibility
Compare festival hubs, view their relative locations, and plan access needs before committing to a cross-venue double feature.
Gateway Cineplex 18
Araneta City, Cubao. Near MRT-3 and LRT-2 Araneta Center–Cubao.
Ayala Malls TriNoma
North Avenue. Directly connected to MRT-3 North Avenue; allow time to navigate the mall and cinema level.
Robinsons Galleria
EDSA corner Ortigas Avenue. MRT-3 Ortigas is the nearest rail stop, followed by a walk to the mall.
Fisher Mall
Quezon Avenue at Roosevelt/Muñoz. Plan for bus, jeepney, taxi, or ride-hail connections.
SM City Fairview
Quirino Highway corner Regalado Avenue. Allow a large road-travel buffer from the central venues.
Quezon Memorial Circle
Elliptical Road, Diliman. Outdoor venue for QCinema at the Park; confirm the exact screening area and entrance.
QC M.I.C.E. Center
Inside the Quezon City Hall Compound, close to Quezon Memorial Circle.
Festival venue map
A schematic based on venue coordinates. Select any venue below the map for live walking, transit, or driving directions.
Food near festival venues
These links open live Google Maps results so visitors can check current hours, accessibility, distance, and reviews. Allow time for queues before screenings.
Gateway Cineplex 18
Gateway Mall and Araneta City restaurants, cafés, and food halls.
Food nearby on Google Maps ↗Ayala Malls TriNoma
TriNoma dining areas and nearby Vertis North options.
Food nearby on Google Maps ↗Robinsons Galleria
Mall restaurants, food court choices, and Ortigas cafés.
Food nearby on Google Maps ↗Fisher Mall
Fisher Mall food options and restaurants along Quezon Avenue.
Food nearby on Google Maps ↗SM City Fairview
Mall dining and nearby Fairview restaurants.
Food nearby on Google Maps ↗QC M.I.C.E. / Memorial Circle
City Hall-area choices, park stalls, and Maginhawa dining.
Food nearby on Google Maps ↗Venue-to-venue calculator
| Venue | Gateway | TriNoma | Galleria | Fisher | SM Fairview | QC Circle | QC M.I.C.E. |
|---|---|---|---|---|---|---|---|
| Gateway Cineplex 18 | — | 4.0 | 3.5 | 3.8 | 12.4 | 3.3 | 2.7 |
| Ayala Malls TriNoma | 4.0 | — | 7.4 | 2.6 | 9.4 | 1.7 | 1.9 |
| Robinsons Galleria | 3.5 | 7.4 | — | 6.4 | 15.8 | 6.8 | 6.3 |
| Fisher Mall | 3.8 | 2.6 | 6.4 | — | 11.9 | 3.8 | 3.6 |
| SM City Fairview | 12.4 | 9.4 | 15.8 | 11.9 | — | 9.2 | 9.7 |
| Quezon Memorial Circle | 3.3 | 1.7 | 6.8 | 3.8 | 9.2 | — | 0.5 |
| QC M.I.C.E. Center | 2.7 | 1.9 | 6.3 | 3.6 | 9.7 | 0.5 | — |
Accessibility planning guide
Published information varies by venue. The notes below distinguish confirmed public information from items that should be checked directly. Exact auditorium seating, companion seating, assistive-listening systems, and sensory accommodations are not confirmed unless stated.
Gateway Cineplex 18
Araneta City publishes direct pedestrian connections from MRT-3 and LRT-2. Public visitor information also reports ramps, elevators, accessible entrances, and PWD parking; confirm the step-free route to the assigned auditorium.
Transport information ↗Ayala Malls TriNoma
Ayala Malls lists PWD services and restrooms. Confirm elevator access to Cinema 3 and accessible/companion seating when booking.
Mall information ↗Robinsons Galleria
The venue page does not publish detailed cinema-access information. Ask about elevators, step-free entry, PWD toilets, and wheelchair/companion seating for Cinema 3.
Mall information ↗Fisher Mall
Public listings report wheelchair access, elevators, and accessible parking. Fisher Mall publishes restrooms on each floor; confirm the route and seating inside the Fisher Box Office cinema.
Mall directory ↗SM City Fairview
SM Prime publishes a company-wide disability-inclusion program. Confirm the elevator route, PWD toilet location, and wheelchair/companion seating for Cinema 2.
SM accessibility program ↗QC M.I.C.E. Center
Quezon City lists elevators, escalators, toilets, a main ramp, and a 750-seat theater. PWD toilets are also listed in city information. Confirm auditorium seating and the best drop-off point.
City venue information ↗Quezon Memorial Circle
Quezon City reports PWD parking slots and ramps at key access points. Because this is an outdoor event, also plan for distance from the gate, path surfaces, weather, lighting, seating, and accessible toilet proximity; confirm the exact screening area before arrival.
Park information ↗Cross-venue planning buffers
- Gateway ↔ TriNoma/Galleria/Fisher: reserve at least 60–90 minutes.
- Quezon Memorial Circle / QC M.I.C.E. ↔ TriNoma/Gateway: reserve 60–90 minutes and check live conditions.
- Any trip involving SM Fairview: reserve 120–180 minutes.
- A screening ending exactly when another begins at a different venue is not a workable transfer.